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Entries as of Sunday, October 12, 2008

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Grant stood by me when I was crazy, and I stood by him when he was drunk. Now we stand by each other always.

— William T Sherman


Blogs I Read

   |  The latest news from WSU

[ ]

Some years ago, I discovered a Windows application for image and graphics work. Called Paint.NET, it was exciting for a couple different reasons. One, it is free but very good. Two, it is based upon Microsoft's framework for application development called .NET. We're now in version 3.5 of .NET, and version 3.5 of Paint.NET has just been announced.

After I'd used the application for a while, I wanted to donate a buck or two toward its development. The boys (there were more than two at the time, and the application is now developed by one) were recent graduates of Washington State University (where the application had evolved from a senior project), so they were directing contributions toward the School of Electrical Engineering and Computer Science. Now, the amazing thing about this is that one of my early wives teaches there! In fact, she teaches in that very department. So, I made a modest donation in the name of Paint.NET for the department. Within a few months, I received the first of a couple calls from fund raisers at WSU. By the second call, I managed to convince them that I had not contributed intentionally to WSU, and that I was still a loyal Husky (WSU and UW, my alma mater, are fierce competitors). But somehow I still receive the annual department magazine (intended to solicit contributions from us alumni). I like flipping through it, because there's usually mention of the ex, and I get at least a general idea of what she's up to.

This year's issue just arrived, and there's a whole article featuring her. So, I've digitized same and present it for you enjoyment. Contributions may be made directly to WSU!
Many of us don’t think twice about the medications we take to fight what ails us or of our constant use of antibacterial lotions and potions, but a growing number of bacterial strains are becoming resistant to these weapons and our health may hang in the balance.

Bacteria can live in a myriad of environments, including within humans and domestic animals. Unfortunately, as bacteria are exposed to antibiotics, resistant strains can proliferate and resistance genes can be transferred to other strains. This process leads to the emergence of new strains that are resistant to over a dozen antibiotics. Now with a $1.2 million grant from the National Institutes of Health, researchers Shira Broschat, professor of electrical engineering and computer science, and Douglas Call, associate professor of veterinary microbiology and pathology, along with Thomas Besser (professor, WSU) and Eva Top (professor, University of Idaho), are examining this problem on the molecular level, trying to figure out how antibiotic resistance is disseminated and how multi-drug resistance groups are assembled through examination of plasmid samples from different hosts in different locations.

Plasmids are extrachromosomal DNA elements that play a role in the dissemination of antibiotic resistance and other traits that are important for bacterial survival in environmental and clinical settings. Plasmids also have mosaic compositions that can readily change through time, although at present researchers do not know the rules by which these changes occur. Of particular interest to Broschat and Call are the plasmids that host an antibiotic-resistant gene that confers resistance to third generation cephalosporins, some of the most widely used antibiotics available.

“Most engineering research deals with the laws of physics, so I’m used to working with ‘truth’,” said Broschat. “Now I’m working with the laws of bacteria, but we don’t know what the laws are—yet. It’s going to take collaborations between technology experts and microbiologists to figure out what these laws are, and my students and I want to be at the interface where we’re doing something that makes a difference. It’s going to take collaborations between technology experts and microbiologists to figure out what these laws are, and my students and I want to be at the interface where we‘re doing something that makes a difference.”

Broschat and Call’s goal is to develop the tools necessary to study how the composition of antibiotic resistance plasmids changes through time. “Some of the broad implications of this research are to understand why plasmids persist and disseminate amongst humans and animals,” said Call. “This could have both policy and public health implications.”

So what are some of the problems we face with antibiotic-resistant bacteria? Some bacteria are already resistant to 12 or more antibiotics, which carries broad societal implications like higher mortality rates and greater pressure on hospital resources. In fact, the CDC released a statement in October 2007 regarding this issue. Staphylococcus aureus, best known for causing staph infections, is one of the bacteria that has become resistant to traditional antibiotics. The antibiotic-resistant form of Staph is known as methicillin-resistant Staphylococcus aureus (MRSA). MRSA occurs most frequently among those who undergo invasive medical procedures or who have weakened immune systems and are being treated in hospitals or other healthcare facilities. However, MRSA can also infect people in the community, generally displaying symptoms like skin rashes, pimples, or boils. Transmission occurs via contaminated hands that have not been washed with soap and water or alcohol-based hand sanitizers.

The main problem we face with MRSA is that with increased resistance to and overuse of basic antibiotics, people infected with MRSA require treatment with second-or third-choice medications that may be less effective and more expensive for the patient. “I tell everyone to use triple-acting antibiotic ointment on all their cuts now,” noted Broschat.

What is also of concern is that the overall incidence rate of MRSA in 2006 was about 32 invasive infections per 100,000 people. Based on current projections, the annual death toll due to MRSA may soon exceed that of AIDS in the United States.

Broschat and Call hope that through their collaborative efforts we will know more about the rules that govern the assemblage of increasingly prevalent “superbugs.”
Addendum:
In conjunction with Broschat’s research with Douglas Call, she also teaches “Concepts in Biotechnology,” which introduces EECS students to biology and biotechnology with the idea that the more you know about what biologists do, the better you can do your job as an engineer or computer scientist in the biotechnology industry. “People understand that biotechnology plays an important role in our future—in agriculture, healthcare, the food industry, and medicine,” said Broschat. “But a lot of people don’t understand what biotechnology is.”

Engineering and computer science can do their part to advance biotechnology by developing the tools, equipment, and software needed by biologists. An early example of this is the development of microscopy and the subsequent discovery of bacteria. Half of Broschat’s course lectures cover different topics in biology while the other half covers biotechnology and its applications. Broschat is learning alongside her students the nuances of a different science discipline. “When we talk about vectors in engineering, we’re referring to a mathematical quantity, but in biology a vector refers to a causative, carrying agent—for example, mosquitoes are the vector for malaria,” she said.

Broschat hopes that with an increase in breadth, the fields of engineering and computer science as a whole will positively impact our future. “We need multidisciplinary approaches to solve our most pressing problems, so it’s important to prepare our students for the multidisciplinary aspects of engineering,” she said.

posted at 08:09 PM | | [2] |

   |  Broadway comes to DC

[ ]

I just attended Broadway: Three Generations, which is a kind of revue, I'd guess. It abridges three plays from the history of Broadway, giving us enough of each to get a good feeling for the play. In fact, I finally decided to attend, because I realized I would probably never get a chance to see Gershwin's Girl Crazy on any kind of stage.

These three abridgements were done in concert style, a musical form I like very much. I read somewhere a couple years ago that in New York, a concert musical must be done while holding scores (I guess, to keep from having concert versions of musicals—which employ far fewer people—from being too successful), but here we were seeing the real thing. At least two dance numbers brought the house down, as they should.

The show was introduced and narrated by Shirley Jones, who began her own career by playing the lead in some 1950s film musicials (she's a beautiful woman as well as being a fine singer). In fact, she was the lead female in Carousel (1955), and the second female lead was played and sung by Barbara Ruick, aunt to our own Rhonda Ruick O'Brien.

I loved Girl Crazy (1930), and very much enjoyed Bye Bye, Birdie (1960). The modern musical was represented by one called Side Show (1997), which the audience loved to pieces, but I didn't care much for. Evidently, the characteristic of modern musicals is a direct appeal to emotion. I prefer the indirect approach.

But if I didn't care much for the modern musical, I loved the acting and singing. I'm listening to the "cast" recording of Girl Crazy (recorded in 1951) as I write this, and it just doesn't work for me. Mary Martin sings the lead role, and a bunch of guys with great voices sing most of the other parts. Fine, but the modern young Broadway singers I heard today blow away whatever they were doing in 1951.

The audience had lots of folks who looked like they work in theater, but most of us were the usual old farts.

All in all, a big surprise. I wasn't expecting much but I was delightfully wrong...


posted at 06:44 PM | | [2] |

   |  I love connections

[ ]

I was reading Garrison Keillor's A Writer's Almanac for 3 October 2008, and I saw notice of the birthday of Thomas Wolfe, a favorite writer from my youth.

About the only thing that this year's Almanac shows for Wolfe is that he had an affair with one Aline Bernstein. These days, finding out who Aline Bernstein might have been is as easy as clicking on your Wikipedia link, and so I did.

Mrs Bernstein has a very small Wikipedia entry, but a link at the end shows her entry in The Internet Broadway Database. She did a great deal of work on Broadway (costumes and scene design), and I looked to see what her first play was. Something I didn't recognize (consciously), but the date—1916—made me remember that Lord Dunsany had some plays running in those days, so I looked him up, too.

The entry for Lord Dunsany shows that Aline Bernstein's first Broadway play was also Lord Dunsany's first Broadway play! And in fact he was only two years older than Mrs Bernstein.

Perhaps in my next play (the previous all unwritten) I'll have Lord Dunsany in an affair with the interesting Mrs Bernstein, and then have her throw him off for the much younger Thomas Wolfe about ten years later.

We know that Bernstein was responsible for Wolfe becoming a writer, and we'll see in the play how the loss of Bernstein caused Dunsany to never write another play. And, in fact, his last Broadway production was his play A Night at an Inn, and it went on about the time that Wolfe's first novel—Look Homeward, Angel (1929) was published.

I can see it all so clearly now...

posted at 07:49 AM | | |

   |  Grimaud plays Beethoven

[ ]

Tonight was the National Symphony Orchestra playing Beethoven and Shostakovich in what was my, at least, first concert of the season. I see that I chose piano concerts for my mini-subscription, and that was certainly influenced by tonight's soloist.

I've written of encountering Hélêne Grimaud before (enter 'grimaud' in the Search box). She played Beethoven's fourth piano concerto tonight, and I got to see and hear this one. She played the fifth, earlier this year, but I had food poisoning, and didn't dare attempt to sit through the concert (good thing—I still remember that night). This time, I was healthy, and so was she.

I have heard the Fourth several times, but I never really listened to it. There's nothing like live music to encourage listening. Especially when you're sitting about 20 feet directly in front of a Steinway concert grand being played by one of the world's finest pianists. It was simply remarkable what I was hearing. No recording has ever sounded like that.

Beethoven is simply perfection, and nothing made that clearer than the Shostakovich Fifth Symphony that followed Grimaud, Bedoya, and the NSO doing the Fourth Piano Concerto. Shostakovich was just fine, but when Ludwig sat down, he had an idea. When Dmitri sat down, he wanted to make some noise. Listening lets time pass in a tonal way, and there are much worse experiences. But I was glad I'd heard Beethoven, too.

The hall seemed quite full. Yes, 95% of the crowd was between 90 and 100 years of age, but they were there. Unlike when Lenny Slatkin was our conductor, the opening piece was not a piece of "new music." It was another Beethoven, so I didn't mind, but I suppose it's not a good sign when new music is not welcome.


posted at 10:11 PM | | |

   |  Vacation pictures

[ ]

I got back a week ago from my annual vacation, and over the weekend finished editing the pictures and putting together a site for them.

Nova Scotia and Points South



posted at 08:13 AM | | [1] |

   |  "Banned in Boston" doesn't work anymore...

[ ]

...but there's a new one: "Banned by the Chinese government."

Friend Ross recommended a Chinese film, recently, called Summer Palace, claiming that it is "hot." I had my suspicions, as My People can be cute as heck, but the mainland variety (at least) is very conservative, and I doubted that a Chinese film could be too racy (not counting deliberately pornographic films, of course).

It arrived a few days ago. Haven't seen it yet, but love the cover and the proud statement of just who banned the film!

UPDATE: I saw this last night. Yes, very sexually frank. But the whole film is pretty frank, and it has a very documentary quality about it. Very well made (probably, on a low budget), and the leading actress is terrific. It is something of a march through PRC history from just before Tian'anmen (1989) through more or less contemporary times. The scenes in Beijing U, and especially the demonstration scenes, are very realistic.

The whole premise (a Chinese look at love, I guess) can be tough for us to follow, but other qualities of the film made it worthwhile.

posted at 04:46 PM | | |